Album Information Section
Album Title: Um Brasileiro
Artist: Ney Matogrosso
Original Release Date: 1996
Label: Mercury Records
Genres: MPB (Música Popular Brasileira), Brazilian Pop
Track Listing
- 1. Construção (5:20)
- 2. Moto-contínuo (3:48)
- 3. Cala a boca, Bárbara (4:31)
- 4. Mil perdões (2:59)
- 5. Valsinha (2:50)
- 6. Minha história (Gesubambino) (3:23)
- 7. Soneto (3:09)
- 8. Roda viva (3:50)
- 9. Corrente (3:37)
- 10. Bom conselho (3:10)
- 11. Partido alto (3:51)
- 12. Homenagem ao malandro (2:54)
- 13. Até o fim (3:19)
- 14. Almanaque (3:32)
- 15. Acalanto para Helena (0:44)
- 16. A banda (3:10)
- 17. Não existe pecado ao sul do Equador (3:06)
Recording Information
“Um Brasileiro” was recorded at the renowned Studio Beija-Flor in Rio de Janeiro, Brazil. The sessions took place during 1995 and 1996, capturing Ney Matogrosso at a vibrant point in his career. The album was produced by the acclaimed musician and producer, Marco Mazzola, alongside engineer Mário Sanches. They utilized advanced recording techniques that highlighted Ney’s dynamic vocal range and the intricate arrangements of the accompanying musicians.
Notably, “Um Brasileiro” features a blend of traditional Brazilian rhythms and contemporary sounds, utilizing both analog and digital recording equipment to create a rich audio tapestry. The production process was marked by a collaborative spirit, with many musicians contributing to the arrangements, which enhanced the album’s diverse soundscape.
Band Context
Ney Matogrosso emerged as a significant figure in Brazilian music during the 1970s, known for his flamboyant stage presence and powerful vocals. By the time “Um Brasileiro” was released in 1996, he had already established a solid reputation as a solo artist, transitioning from his earlier work with the band Secos & Molhados. The mid-90s marked a period of reinvention for Matogrosso, as he sought to explore new musical territories while staying true to his roots in MPB.
During the production of “Um Brasileiro,” Matogrosso was surrounded by a talented group of musicians, which included musicians from various backgrounds, reflecting the album’s eclectic influences. This period also saw Ney engaging with socio-political themes in his music, using his platform to address issues relevant to Brazilian society.
Track Commentary
The album opens with “Construção,” a powerful piece that showcases Ney’s dramatic vocal delivery and sets the tone for the rest of the album. The track is notable for its complex rhythm and poignant lyrics, highlighting the struggles of working-class life in Brazil. Following this is “Moto-contínuo,” which presents a more upbeat tempo, blending traditional samba elements with contemporary pop influences, showcasing Ney’s versatility as an artist.
Tracks like “Cala a boca, Bárbara” and “Mil perdões” exemplify the emotional depth present in Matogrosso’s work, combining introspective lyrics with engaging melodies. “Valsinha” offers a tender, romantic feel, while “Minha história (Gesubambino)” reflects Ney’s innovative approach to Brazilian storytelling through music.
Standout songs such as “Roda viva” and “Não existe pecado ao sul do Equador” have received critical acclaim for their lyrical depth and musical arrangement. “Roda viva,” in particular, is a homage to the cyclical nature of life and has become a staple in Brazilian music. Critics have noted the album’s ability to weave together personal narratives with broader cultural themes, establishing “Um Brasileiro” as a significant work in Ney Matogrosso’s discography.
Overall, “Um Brasileiro” remains a testament to Ney Matogrosso’s artistic evolution and his enduring impact on Brazilian music, blending traditional sounds with contemporary influences in a way that resonates with both new and long-time fans.
