Album Information Section
Album Title: Stevie Wonder’s Original Musiquarium I, Volumes I & II
Artist: Stevie Wonder
Original Release Date: May 4, 1982
Label: BMG Direct Marketing, Inc.
Genres: R&B, Soul, Funk
Track Listing:
- 1. Superstition (4:27)
- 2. You Haven’t Done Nothin’ (3:29)
- 3. Living for the City (7:25)
- 4. Front Line (5:57)
- 5. Superwoman (Where Were You When I Needed You) (7:59)
- 6. Send One Your Love (4:01)
- 7. You Are the Sunshine of My Life (2:51)
- 8. Ribbon in the Sky (5:39)
- 1. Higher Ground (3:47)
- 2. Sir Duke (3:52)
- 3. Master Blaster (Jammin’) (5:08)
- 4. Boogie on Reggae Woman (4:56)
- 5. That Girl (5:14)
- 6. I Wish (4:14)
- 7. Isn’t She Lovely (6:33)
- 8. Do I Do (10:29)
Recording Information
Stevie Wonder’s Original Musiquarium I, Volumes I & II was primarily recorded at the Record Plant in Los Angeles, California, a renowned studio that has hosted numerous iconic artists. The recording sessions took place throughout the late 1970s and early 1980s, a time when Wonder was at the peak of his creative powers.
The album was produced by Stevie Wonder himself, showcasing his multi-faceted talent not only as a performer but also as a producer. The engineering team included notable figures such as Malcolm Cecil and Robert Margouleff, who were instrumental in the development of Wonder’s signature sound, particularly through innovative use of synthesizers and electronic instruments.
Wonder employed various recording techniques, including multi-tracking and the use of the synthesizers that defined his work during this period. His approach to production was characterized by a blend of live instrumentation and electronic elements, creating rich, layered soundscapes that became a hallmark of his style. Notably, the song “Superstition” features a distinct clavinet riff that has become one of the most recognizable hooks in popular music.
Band Context
By the time of the release of Original Musiquarium I, Stevie Wonder was already an established superstar in the music industry. Having achieved immense success with albums like “Songs in the Key of Life,” he was celebrated for his innovative approach to R&B and pop music. This compilation album served as a retrospective of his career up to that point, highlighting his evolution as an artist and the breadth of his musical contributions.
The lineup during this recording consisted primarily of Wonder himself playing a multitude of instruments, often layering his own vocals and harmonies. His backing band during this period, known as Wonderlove, included talented musicians such as Nathan Watts on bass and Greg Phillinganes on keyboards, who contributed to the album’s vibrant sound.
Leading up to the release of this album, Wonder was actively involved in social issues and had begun to advocate for various causes, using his platform to address topics such as civil rights and humanitarian efforts. This advocacy was reflected in the themes of his music, particularly in tracks like “Living for the City,” which explores social injustice and urban life.
Track Commentary
Original Musiquarium I, Volumes I & II is a treasure trove of hit singles and beloved tracks, showcasing Wonder’s versatility across various musical styles. The album opens with “Superstition,” a funk-infused classic that remains one of Wonder’s most enduring songs, characterized by its infectious groove and powerful horns. Following this is “You Haven’t Done Nothin’,” featuring the Jackson 5, which addresses themes of social responsibility and accountability.
Tracks such as “Living for the City” and “Superwoman (Where Were You When I Needed You)” highlight Wonder’s ability to blend storytelling with complex musical arrangements. “Living for the City” is particularly notable for its narrative of urban struggle, combining elements of soul, funk, and jazz, while “Superwoman” showcases Wonder’s emotive vocal delivery and intricate harmonies.
Other standout tracks include “Sir Duke,” a tribute to jazz legend Duke Ellington, and “Isn’t She Lovely,” a heartfelt celebration of fatherhood. The latter track has become a wedding favorite and is often hailed as one of the most beautiful love songs ever written. The album concludes with “Do I Do,” a lengthy jam that encapsulates the joyous spirit of Wonder’s music, blending jazz elements with pop sensibility.
Critically, the album received acclaim for its rich production and the seamless integration of various musical influences, solidifying Wonder’s legacy as a pioneer in the music industry. Each track contributes to the overall narrative of the album, illustrating Wonder’s profound impact on contemporary music and his ability to connect with audiences on both emotional and intellectual levels.
