Album Information Section

Album Title: Raízes Nordestinas

Artist: Quinteto Violado

Original Release Date: 1999

Label: Copacabana

Genres: Brazilian Folk, Música Popular Brasileira (MPB)

Track Listing:

• 1. Asa Branca (5:40)
• 2. Acauã (2:38)
• 3. Pipoquinha (2:31)
• 4. Bambelô (6:46)
• 5. Entrada Do Boi Misterioso (3:28)
• 6. Cavalo Marinho (2:16)
• 7. Entrada Do Boi De Reis (4:51)
• 8. A Burrinha (2:17)
• 9. Cavalinho, Cavalão (2:39)
• 10. Galope À Beira-Mar (2:43)
• 11. Samba De Roda (6:00)
• 12. Coco (6:26)
• 13. Saudade (2:05)
• 14. De Chapéu De Sol Aberto (2:15)
• 15. Um Sonho Que Durou Três Dias (2:15)
• 16. Recife (3:02)
• 17. Evocação Nº 1 (2:21)
• 18. Hino Dos Batutas De São José (2:32)
• 19. Valores Do Passado (2:29)
• 20. Ciranda Da Zona Da Mata/Ciranda/Ciranda Praieira (12:09)

Recording Information

“Raízes Nordestinas” was recorded at the esteemed Studio C, located in the vibrant city of Recife, Brazil. The recording sessions took place in 1999, coinciding with the album’s release. The production was overseen by the accomplished producer João Carlos Sampaio, who is well-regarded in the Brazilian music scene for his expertise in capturing the rich textures of traditional sounds. The engineering was handled by José Eduardo, whose attention to detail brought out the nuances of the band’s instrumentation.

During the production, the band utilized a variety of traditional instruments, including the accordion, zabumba, and triangle, which are pivotal in bringing the Northeastern Brazilian sound to life. Stories from the recording sessions highlight the band’s commitment to authenticity, as they often experimented with live takes to capture the spontaneous energy typical of their live performances.

Band Context

Quinteto Violado, formed in 1971, has been a significant force in the preservation and promotion of Northeastern Brazilian music. By 1999, the band had established a solid reputation, blending traditional rhythms with modern influences, thus appealing to a broad audience. The lineup during the recording of “Raízes Nordestinas” included founding members: violinist e composer Renato Dias, guitarist and vocalist Tato, accordionist and vocalist Dominguinhos, bassist and vocalist Jorge Ferreira, and percussionist and vocalist José B. de Andrade. This diverse array of talents contributed to the album’s rich auditory tapestry.

Leading up to this release, the band had experienced a resurgence in interest, partly due to the revival of traditional Brazilian sounds in popular music. They were also involved in various cultural projects aimed at educating younger generations about the importance of their regional music heritage. The release of “Raízes Nordestinas” marked a significant milestone in their career, showcasing their dedication to both innovation and tradition.

Track Commentary

“Raízes Nordestinas” encompasses a blend of various musical styles that reflect the cultural diversity of Brazil’s Northeast region. The opening track, “Asa Branca,” is a poignant homage to the struggles of rural life, featuring emotive lyrics and a haunting melody that resonates deeply with listeners. This track, written by the legendary Luiz Gonzaga, has become a cultural anthem representing the plight of those affected by droughts in the sertão.

Subsequent tracks like “Cavalo Marinho” and “Samba De Roda” showcase the band’s mastery in fusing traditional rhythms with contemporary sounds, creating an engaging listening experience. The lively “Ciranda Da Zona Da Mata/Ciranda/Ciranda Praieira,” which closes the album, is a vibrant medley that invites listeners to participate in the joyous celebration of life inherent in Northeastern culture.

Critical reception of “Raízes Nordestinas” has been overwhelmingly positive, with many praising the band’s ability to maintain the authenticity of their roots while also appealing to modern sensibilities. The album serves not only as a musical journey but also as a cultural document, preserving the essence of Northeastern Brazilian music for future generations. Tracks like “Galope À Beira-Mar” and “Saudade” have become staples in the repertoire of many Brazilian folk musicians, ensuring that the legacy of Quinteto Violado continues to thrive.