Album Information Section
Album Title: Family Style
Artist: The Vaughan Brothers
Original Release Date: 1990-09-25
Label: Unknown Label
Genres: Blues, Rock
Track Listing:
- 1. Hard to Be (4:44)
- 2. White Boots (3:50)
- 3. D/FW (2:53)
- 4. Good Texan (4:22)
- 5. Hillbillies From Outerspace (3:43)
- 6. Long Way From Home (3:15)
- 7. Tick Tock (4:57)
- 8. Telephone Song (3:28)
- 9. Baboom / Mama Said (4:30)
- 10. Brothers (5:05)
Recording Information
The album “Family Style” was recorded at the legendary Ardent Studios, located in Memphis, Tennessee. The recording sessions took place in 1990, during a period of significant activity for the Vaughan brothers. The production of the album was spearheaded by the esteemed producer Nile Rodgers, known for his work with Chic and David Bowie, among others. The engineering duties were handled by the proficient team at Ardent, further enhancing the album’s sonic quality.
Notable recording techniques employed during the sessions included the use of analog tape, which contributed to the warm, rich sound characteristic of early 90s recordings. The use of various vintage amplifiers and effects pedals also played a crucial role in shaping the distinct guitar tones that the Vaughan brothers were renowned for.
Interestingly, the recording sessions were marked by a casual yet focused atmosphere, with both brothers bringing their unique musical influences to the table. The collaborative spirit between Stevie Ray Vaughan and his brother Jimmie Vaughan resulted in a dynamic fusion of blues and rock, showcasing their individual styles while maintaining a cohesive sound throughout the album.
Band Context
At the time of the album’s release, the Vaughan brothers were at pivotal points in their careers. Stevie Ray Vaughan had recently emerged as a global blues sensation following his breakthrough album “Texas Flood” in 1983. His virtuosic guitar playing and emotive vocals had garnered him a massive following, but he was also battling personal demons, including substance abuse issues. Meanwhile, Jimmie Vaughan had established himself as a respected guitarist and singer within the Texas blues scene, leading the band The Fabulous Thunderbirds and developing a solid reputation prior to this collaboration.
The “Family Style” project marked the first studio collaboration between the brothers, a long-awaited endeavor that had been discussed for years. The album was an opportunity for them to showcase their familial bond and musical chemistry, blending Jimmie’s more traditional blues and rock influences with Stevie’s modern, fiery style. Tragically, this collaboration would be one of the last projects for Stevie Ray Vaughan, who would pass away in a helicopter crash just two years later, making the album a bittersweet legacy in the history of blues music.
Track Commentary
The album opens with “Hard to Be,” a powerful track that sets the tone for the rest of the record with its driving rhythm and soulful guitar solos. This opener showcases the brothers’ vocal harmonies and highlights their individual playing styles, providing a glimpse into the depth of their musical relationship.
“White Boots” follows, featuring a more playful lyrical approach while maintaining a bluesy groove. The track reflects the lighter side of the Vaughan brothers, displaying their ability to blend humor with musicianship. “D/FW,” a brief yet punchy track, captures the essence of the Texas blues scene and demonstrates their lyrical storytelling.
Other standout tracks include “Good Texan,” which pays homage to their roots, and “Hillbillies From Outerspace,” a fun, high-energy number that showcases their versatility. The emotional “Long Way From Home” highlights Stevie’s expressive guitar work and Jimmie’s smooth vocals, creating a poignant listening experience. The album concludes with the introspective “Brothers,” a fitting tribute to their sibling bond and shared experiences.
Upon its release, “Family Style” received positive reviews from critics and fans alike, with many praising the seamless blend of styles and the palpable chemistry between the brothers. The album has since gained recognition as a significant work in the Vaughan brothers’ discography, solidifying their legacy in the blues genre. Notably, tracks like “Tick Tock” and “Telephone Song” have become fan favorites, often celebrated for their catchy melodies and engaging lyrics.
