Album Information Section
Album Title: Between Black & White
Artist: Hiroshima
Original Release Date: August 10, 1999
Label: Windham Hill Jazz
Genres: Jazz, World Music
Track Listing
- 1. Mix Plate (4:20)
- 2. Dreams (4:20)
- 3. The Door Is Open (4:37)
- 4. Joe Jazz (4:54)
- 5. Sup Poze (3:47)
- 6. Picasso’s Dance (4:26)
- 7. After the Rain (4:17)
- 8. Things Unsaid (5:20)
- 9. Circle of Friends (4:55)
- 10. World of Dreams (4:45)
- 11. Omotai (1:30)
- 12. Sol Cruz (4:40)
Recording Information
“Between Black & White” was recorded at the famed Fantasy Studios, located in Berkeley, California. The recording sessions took place in the spring of 1999. The album was produced by the band members themselves, showcasing their commitment to creative control and artistic vision. Renowned engineer George Horn was at the helm of the mixing and mastering process, bringing his extensive experience in jazz and world music to the project.
Notably, the album employed a variety of innovative recording techniques that combined traditional acoustic instruments with modern electronic elements. This blending of styles contributed to the album’s unique sound, which is characterized by its rich textures and dynamic arrangements. An interesting production note is that the band aimed to capture the live essence of their performances, often recording in a manner that allowed for spontaneous interaction between musicians, thereby creating an organic feel throughout the album.
Band Context
Hiroshima, formed in the late 1970s, is known for their unique fusion of jazz, world music, and traditional Japanese instruments. By the time of “Between Black & White,” the band had already established a significant presence in the music scene, with several albums under their belt. The lineup during this recording featured founding members Dan Kuramoto (saxophone, flute), June Kuramoto (koto), along with the late Kimo Cornwell (keyboards) and Eric S. L. K. T. A. Nishimura (bass). Their diverse backgrounds and musical influences have always contributed richly to their sound.
Leading up to this album, Hiroshima had seen a series of lineup changes and had experimented with different musical directions. “Between Black & White” represented a culmination of their journey, reflecting both their heritage and their contemporary influences. The release marked a period of renewal for the band, as they sought to expand their audience and explore deeper thematic content in their music.
Track Commentary
The album opens with “Mix Plate,” a vibrant introduction that sets the tone for the eclectic mix of sounds to follow. This track exemplifies Hiroshima’s ability to blend jazz improvisation with world music rhythms, featuring intricate koto melodies intertwined with dynamic brass sections. “Dreams” follows, showcasing a more contemplative mood with lush harmonies that invite the listener to reflect.
Tracks like “The Door Is Open” and “Joe Jazz” exhibit the band’s jazz roots, with engaging solos and tight ensemble playing. “Sup Poze” offers a brief yet impactful interlude, while “Picasso’s Dance” stands out for its playful energy and complex rhythms, drawing inspiration from both jazz and traditional Japanese motifs. Thematically, the album often explores concepts of connection and introspection, as seen in tracks like “Things Unsaid,” which delves into unspoken emotions and shared experiences.
Standout tracks such as “Circle of Friends” and “World of Dreams” received positive critical reception, praised for their ability to evoke a sense of community and shared dreaming. The closing track, “Sol Cruz,” serves as a reflective conclusion to the album, leaving listeners with a sense of warmth and hope. Overall, “Between Black & White” is regarded as a significant entry in Hiroshima’s discography, demonstrating their artistic evolution and cementing their place in the jazz and world music landscapes.
