Album Information Section
Album Title: Barulhinho Bom: Uma Viagem Musical
Artist: Marisa Monte
Original Release Date: December 1, 1996
Label: EMI Music Brasil
Genres: MPB (Música Popular Brasileira), Pop
Track Listing:
- 1. Panis et Circenses (3:12)
- 2. De Noite na Cama (3:29)
- 3. Beija Eu (3:17)
- 4. Give Me Love (4:10)
- 5. Ainda Lembro (3:39)
- 6. A Menina Dança (2:09)
- 7. Dança da Solidão (3:23)
- 8. Ao Meu Redor (4:36)
- 9. Bem Leve (2:39)
- 10. Segue o Seco (2:58)
- 11. O Xote das Meninas (4:52)
- 12. Arrepio (2:16)
- 13. Magamalabares (3:36)
- 14. Chuva no Brejo (2:26)
- 15. Cérebro Eletrônico (2:53)
- 16. Tempos Modernos (3:03)
- 17. Maraçá (3:50)
- 18. Blanco (0:45)
Recording Information
Barulhinho Bom: Uma Viagem Musical was recorded at Estúdio Nas Nuvens, located in Rio de Janeiro, Brazil. The recording sessions took place throughout 1996, a year significant for both Marisa Monte and the Brazilian music scene. The album was produced by Marisa Monte in collaboration with the talented engineer, and co-producer, Alê Siqueira.
Notable recording techniques included the integration of traditional Brazilian instruments alongside modern production techniques, creating a fresh sound that resonated well with contemporary audiences. The album’s production sought to capture both the warmth of acoustic performances and the precision of digital recording, blending genres seamlessly.
An interesting production note involves the use of field recordings that capture ambient sounds from various Brazilian landscapes, enhancing the album’s theme of a musical journey through Brazil.
Band Context
At the time of releasing Barulhinho Bom, Marisa Monte was already an established figure in Brazilian music, having gained popularity for her unique blend of MPB and pop influences. She had released successful albums prior to this one, including her self-titled debut and “Mais,” which solidified her status as a leading artist in Brazil. This album marked a period of artistic growth and experimentation for Monte, as she sought to explore new musical territories.
The lineup during this recording primarily featured Marisa Monte herself along with a group of skilled musicians, including the acclaimed guitarist and composer Arnaldo Antunes and percussionist and producer Dadi. This collaborative spirit contributed significantly to the album’s rich sound and texture.
Leading up to Barulhinho Bom, Monte had experienced a surge in popularity, and the pressure to deliver a follow-up that met or exceeded expectations was palpable. The album served not only as a continuation of her musical journey but also as a celebration of Brazilian culture and sounds, reflecting the socio-political landscape of Brazil in the late 1990s.
Track Commentary
The album begins with the captivating “Panis et Circenses,” a track that sets the tone for the entire record with its infectious rhythm and lyrical depth. The song’s title, which translates to “Bread and Circuses,” echoes themes of distraction and societal issues, a recurring motif in Monte’s work.
Following this, “De Noite na Cama” showcases Monte’s ability to blend sensuality with introspective lyrics, while “Beija Eu” offers a playful, romantic vibe, demonstrating her range as a lyricist and vocalist. “Give Me Love,” a cover of the classic George Harrison song, is notable for its Brazilian flair, merging rock elements with traditional rhythms.
Tracks like “A Menina Dança” and “Dança da Solidão” highlight the album’s exploration of dance and movement, both physically and metaphorically, while “Ao Meu Redor” and “Bem Leve” delve into themes of love and longing.
The album also includes “O Xote das Meninas,” a traditional Brazilian folk song that is reinterpreted with Monte’s signature style, bridging the gap between old and new. Each track contributes to a cohesive narrative that invites listeners on a journey through a diverse musical landscape.
Critical reception of Barulhinho Bom was overwhelmingly positive, with many praising Monte’s innovative approach and ability to fuse various musical styles. Standout tracks such as “Give Me Love” and “Dança da Solidão” have since become staples in her catalog, further solidifying her legacy in Brazilian music.
In summary, Barulhinho Bom: Uma Viagem Musical is not just an album; it is a testament to Marisa Monte’s artistry and her role in shaping the sound of Brazilian music in the 1990s and beyond.
