Album Information Section

Album Title: About Face

Artist: David Gilmour

Original Release Date: March 5, 1984

Label: Unknown Label

Genres: Progressive Rock, Art Rock

Track Listing:

• 1. Until We Sleep (5:19)
• 2. Murder (4:59)
• 3. Love on the Air (4:20)
• 4. Blue Light (4:36)
• 5. Out of the Blue (3:38)
• 6. All Lovers Are Deranged (3:15)
• 7. You Know I’m Right (5:06)
• 8. Cruise (4:40)
• 9. Let’s Get Metaphysical (4:09)
• 10. Near the End (5:51)

Recording Information

“About Face” was primarily recorded at the infamous Abbey Road Studios in London, a location synonymous with some of the most iconic records in music history. The recording sessions took place intermittently between 1982 and 1983, paralleling Gilmour’s burgeoning solo career amidst Pink Floyd’s complex dynamic.

The album was produced by David Gilmour himself, with engineering contributions from notable figures such as James Guthrie and Andy Jackson. Gilmour’s innovative approach to production is evident through the use of advanced recording techniques, including multi-track recording that allowed for intricate layering of guitar effects and vocal harmonies.

One interesting aspect of the production was Gilmour’s embrace of the then-nascent digital recording technology, which provided clarity and depth to his sound. Additionally, the use of synthesizers and sequencers marked a departure from the more traditional rock instrumentation that characterized earlier Pink Floyd albums.

Band Context

At the time of “About Face,” David Gilmour was navigating a pivotal moment in his career. Following the release of Pink Floyd’s album “The Final Cut” in 1983, Gilmour took a step back from the band, which was undergoing significant turmoil due to Roger Waters’ departure and ongoing tensions among members. This period of uncertainty allowed Gilmour to focus on his solo endeavors, culminating in the creation of “About Face.”

The album featured a lineup of talented musicians, including Chick Corea on keyboards, Jeff Porcaro on drums, and Michael Landau on guitar, each bringing their unique styles to the project. Gilmour’s desire to assert his individual artistic identity was evident in the album’s sound and lyrical themes, which often explored personal introspection and emotional depth.

Before “About Face,” Gilmour had released his self-titled debut album in 1978, which received lukewarm reception compared to the monumental success of Pink Floyd. However, during the early 1980s, Gilmour’s creative output began to flourish, and “About Face” was seen as a reaffirmation of his capabilities as a solo artist. The album’s release helped to bridge the gap between his work with Pink Floyd and his subsequent solo projects.

Track Commentary

The opening track, “Until We Sleep,” sets the tone for the album with its haunting melodies and introspective lyrics, exploring themes of anxiety and personal struggle. This song was notably released as a single, showcasing Gilmour’s signature guitar work and lyrical depth.

“Murder” follows, a track characterized by its powerful vocal delivery and social commentary, reflecting Gilmour’s concerns about the world at large. The song stands out for its driving rhythm and sonic experimentation, making it a critical highlight of the album.

“Love on the Air” and “Blue Light” showcase Gilmour’s adeptness at blending rock with pop sensibilities, featuring catchy hooks and vibrant instrumentation. These tracks resonate with listeners while maintaining an artistic integrity that Gilmour is known for.

All Lovers Are Deranged and “You Know I’m Right” delve deeper into personal relationships, with Gilmour’s emotive guitar solos serving as a counterpoint to his poignant lyrics. The critical reception of these tracks was generally positive, further establishing Gilmour’s reputation as a formidable songwriter.

As the album progresses, tracks like “Let’s Get Metaphysical” inject a playful, experimental edge, while “Near the End” offers a reflective conclusion, encapsulating the album’s overarching themes of introspection and existential contemplation.

Overall, “About Face” received mixed to positive reviews upon its release, with critics praising Gilmour’s musicianship while noting the album’s deviation from the progressive rock roots of Pink Floyd. Over time, however, it has gained a reputation as a significant work in Gilmour’s solo discography, showcasing his evolution as an artist and his ability to craft compelling narratives through music.