Album Information Section

Album Title: Cole Porter Song Book: The Platinum Collection

Artist: Various Artists

Original Release Date: 1998-01-01

Label: Start Entertainments Limited

Genres: Jazz, Vocal, Traditional Pop

Track Listing:

• 1. I’ve Got You Under My Skin (2:04)
• 2. I Get a Kick Out of You (3:07)
• 3. Anything Goes (2:21)
• 4. You’d Be So Nice to Come Home To (2:09)
• 5. My Heart Belongs to Daddy (3:11)
• 6. Let’s Do It, Let’s Fall in Love (2:59)
• 7. You Do Something to Me (2:41)
• 8. True Love (2:01)
• 9. Just One of Those Things (2:17)
• 10. You Do Something to Me (3:00)
• 11. Miss Otis Regrets (3:15)
• 12. Love of My Life (3:07)
• 13. Rosalie (1:16)
• 14. At Long Last Love (2:09)
• 15. How Could We Be Wrong? (3:15)
• 16. I’m a Gigolo (2:24)
• 17. They All Fall in Love (3:10)
• 18. Love for Sale (3:18)
• 19. All Through the Night (2:59)
• 20. Don’t Fence Me In (3:06)
• 21. You’d Be So Easy to Love (3:25)
• 22. I Love You (2:38)
• 23. Night and Day (3:03)
• 24. Begin the Beguine (3:10)
• 25. At Long Last Love (2:48)
• 26. You’re the Top (2:16)
• 27. Thank You So Much, Mrs Lowsborough‐Goodby (2:25)
• 28. Blow Gabriel Blow (3:07)
• 29. Most Gentlemen Don’t Like Love (2:17)
• 30. The Banjo (That Man Joe Play) (2:49)
• 31. Who Knows? (3:14)
• 32. Goodby Little Dream, Goodbye (3:20)
• 33. In the Still of the Night (3:19)
• 34. I’ve Got My Eyes on You (3:11)
• 35. Swingin’ the Jinx Away (3:03)
• 36. It’s Bad for Me (3:19)
• 37. It’s D’Lovely (2:48)
• 38. I’m in Love Again (3:19)
• 39. Experiment (2:24)
• 40. Hey, Good‐Lookin’! (2:21)

Recording Information

The “Cole Porter Song Book: The Platinum Collection” was recorded across various studios, primarily in the United States. The exact studio names and locations are not explicitly documented, but it is known that the sessions took place during the late 1990s, coinciding with the album’s 1998 release.

This compilation features a multitude of artists, and as such, specific producers and engineers vary across tracks. Each artist brought their unique style to Porter’s timeless compositions, showcasing a diverse array of interpretations. Notably, the production aimed to capture the essence of Porter’s sophisticated melodies and clever lyrics, utilizing traditional jazz instrumentation alongside modern recording techniques.

An interesting production note includes the album’s emphasis on maintaining the authenticity of Cole Porter’s music while allowing each artist’s personality to shine through. This balance of homage and innovation resulted in a collection that appeals to both hardcore jazz enthusiasts and casual listeners.

Band Context

As a compilation album, “The Platinum Collection” features various artists known for their contributions to the jazz and traditional pop genres. During the late 1990s, the music scene was experiencing a resurgence of interest in classic American songbook repertoire, a trend that this album capitalized upon. Artists featured in this collection were often prominent figures in jazz and vocal music, each bringing their unique flair to Cole Porter’s works.

The lineup includes a mix of established jazz vocalists and musicians, showcasing the versatility of Porter’s compositions. Many of these artists were either at the height of their careers or were solidifying their legacies during this period. The late ’90s were marked by a renewed appreciation for the Great American Songbook, and this collection played a significant role in introducing Porter’s music to a new generation.

Significant events in the music industry, such as the rise of jazz festivals and the popularity of standards in contemporary music, helped create a fertile ground for this compilation. Many artists were eager to record their interpretations of Cole Porter’s songs, a testament to his enduring influence.

Track Commentary

The tracks on “Cole Porter Song Book: The Platinum Collection” span a wide range of themes, moods, and styles, reflecting Porter’s genius in crafting songs that resonate across generations. Iconic pieces like “I’ve Got You Under My Skin,” “Night and Day,” and “Anything Goes” stand out for their memorable melodies and lyrical wit. These songs encapsulate the sophistication and charm that Porter was known for, and they are interpreted with varying degrees of swing and lyrical nuance by the featured artists.

Several tracks, such as “Love for Sale” and “My Heart Belongs to Daddy,” highlight Porter’s ability to blend humor with poignant emotion, making them staples in jazz repertoires. The arrangement of “Love for Sale,” in particular, has been a favorite among jazz musicians for its complex harmonies and depth of feeling, often cited in critical discussions of Porter’s work.

Critical reception of the album has generally been positive, with many reviewers praising the collection for its diverse interpretations and high production quality. Standout songs like “I Get a Kick Out of You” and “You’d Be So Nice to Come Home To” not only showcase the artists’ vocal talents but also serve as a reminder of Porter’s timeless appeal. “Cole Porter Song Book: The Platinum Collection” remains a valuable reference for those wishing to explore the rich legacy of one of America’s greatest songwriters.